Drawings from the Albertina Museum, Vienna
Royal Academy of Arts, London
4 November 2018 – 3 February 2019
Der Zeit ihre Kunst. Der Kunst ihre Freiheit. / To the age its art, to art its freedom. (i)
The day before the Klimt / Schiele preview, I saw a London Underground billboard advertising the exhibition. Three naked figures with a banner collectively preserving modesty declared this work too shocking for public display, even in 2018. Potential offence and outrage are ever present in contemporary life, lived mostly online, with critical discussion and reflection harder to find. Coming face to face with humanity, warts and all, is a given with this exhibition and it would be a shame to expect anything less. Unmasking the nature of provocation and social propriety is unavoidable when following the drawn line of both artists. Although the official PR images don’t come close to representing it, the viewer is consistently arrested, having to psychologically, morally and ethically grapple with where they stand, often in relation to taboo subjects.
As the first exhibition in the UK to focus on the drawing practice of both artists, Klimt / Schiele presents a rare opportunity to see over 100 delicate works on paper from the Albertina Museum, Vienna. Among these are some of the finest examples of life drawing I’ve ever had the privilege to see, sublime, assured and intensely beautiful. Equally I loved this exhibition for the disquieting, uncomfortable questions it raised and for the timeless radicalism of both artists which positively sings, howls and scratches its way off the walls. The drawings are on an intimate scale and arranged thematically to highlight each artist’s creative process, explore relationships between them and engage with the confrontational nature of their work in juxtaposition. Together with this insightful visual survey, the centenary of the deaths of Gustav Klimt (1862-1918) and Egon Schiele (1890-1918) provide a timely focus for questions about art and censorship in our own time.