Georgina grew up in Perth, Western Australia and worked in Canada, the UK and Ireland before settling in the Highlands of Scotland in 2000.

Her work as a freelance writer, arts correspondent and critic includes reviews, interviews and feature articles for Northings, Artwork, AN Magazine, Cassone, Stravaig, the online journal of the Scottish Centre for Geopoetics, The Scottish Society of Art Historians journal, Film Hub Scotland, Kolaj magazine and the Times Literary Supplement.

Georgina works with individual artists and galleries to produce exhibition catalogue texts, artist statements and promotional materials. She leads workshops in Artist Statement Writing, Art History, Drawing and Painting. Georgina particularly enjoys working with individual artists and collectives, developing individual visual arts practice through bespoke tutorials and one to one mentoring.

She holds a Bachelor of Arts Degree in Art History from the University of Western Australia (UWA), is a member of the Scottish Society of Art Historians (SSAH) and For Art History-the Association for Art History (AAH) UK. Her passions are German Art, Australian Art, Canadian Art, Scottish Contemporary Art, World Cinema, Silent Film, Collage and Photography.

In 2018 Georgina’s short story The Projectionist was published in Reel to Rattling Reel: Stories and Poems About Memories of Cinema-Going by Cranachan Press. In 2022 her poem Harvest was published in All Becomes Art- Part One, an anthology of new writing in response to the art of Joan Eardley by Speculative Books.

In 2014 Georgina began researching and cataloguing the work of sculptor Steve Dilworth. Her first full length work of non-fiction Journeyman- The Art of Steve Dilworth will be published by Francis Boutle Publishers, London in January 2024.